Edmund de Waal is the justly acclaimed British author of The Hare with Amber Eyes, a superb history/memoir of the Ephrussi banking family, of which he is a scion. He is also the creator of an unprecedented temporary exhibition now at the Frick Collection in New York City. Entitled Elective Affinities, it is the first […]
ceramist, Chardin, classical realists, Edmund de Waal, Frick Collection, Henry Clay Frick, installation art, netsuke, pottery, sculptureThe Art of Looking (Basic Books, 2018) by art critic Lance Esplund—a frequent contributor to the Wall Street Journal, among other prestigious publications—is yet another of countless attempts to reconcile the public to the bizarre inventions of the avant-garde.1 A more fitting title would be “The Art of Critical Spinning.” Subtitled How to Read Modern […]
Balthus, contemporary art, Damien Hirst, elements of art, Giacometti, Gislebertus, Jackson Pollock, Lance Esplund, language of art, Malevich, Marcel Duchamp, modern art, Piero Manzoni, Piet Mondrian, readymadesHaving just read an article bearing the above title—in the March issue of SchoolArts Magazine—I am reminded of the Seinfeld “show about nothing.” For New Media Art, it turns out, includes just about everything. Which means, in effect, that it is nothing in particular, certainly nothing teachable as a discrete discipline. That has not deterred […]
3D printing, Ai Weiwei, Anthea Hamilton, installation art, Marina Abramović, Nam June Paik, New Media, Northern Arizona University School of Art, Pam Stephens, performance art, SchoolArts Magazine, video art, Yayoi KusamaWhat does a book report on the life of a nineteenth-century Hungarian obstetrician named Ignaz Semmelweis (1818-1865) have to do with art and art education, the subjects I’m now immersed in? Quite a lot, as it happens. Never heard of Semmelweis? Neither had I until I read a historical fiction about him entitled The Cry […]
belief perseverance, Ignaz Semmelweis, institutional theory of art, Semmelweis Reflex, The Cry and the CovenantLeafing recently through a back issue of Arts & Activities (which bills itself as “the Nation’s Leading Art Education Magazine”), I was struck by yet another instance of the foolish injection of political issues into art education.1 An article entitled “Design Thinkers” featured the following photo: The project shown had been carried out in 2016. […]
2017 Design Thinkers Conference, Arts & Activities magazine, politicization of art education, Timothy GoodmanContemporary pseudo art’s stranglehold on the culture is reinforced by countless prestigious institutions—among others, my alma mater Barnard College. Since 2011, Barnard has been offering alumnae and friends a “lifelong learning” course entitled “Conversations in Contemporary Art” [more], aiming to demystify such work through an insider view of the artworld. Taught by art historian Kathleen […]
Barnard College, contemporary artThe following letter was mailed to Daniel Brodsky, Chairman of the Met Museum’s board of trustees, on September 3rd. (I insert relevant links here.) In lieu of a response from him, I received a platitudinous letter from Jessica Hirschey, the museum’s Deputy Chief Membership Officer, dated September 17. That letter is appended below, along with […]
contemporary art, Max Hollein, Metropolitan Museum of ArtA legendary rivalry existed between the two megastars of nineteenth-century French painting: the arch-Romantic Eugène Delacroix (1798-1863)—the subject of an exhibition now at the Metropolitan Museum, through November 12—and the inveterate classicist Jean-Auguste-Dominique Ingres (1780-1867).1 But on one thing they agreed: Drawing is the essential foundation of art. As Ingres famously declared, “Drawing is the probity […]
Damien Hirst, Delacroix, drawing, Ingres, Metropolitan Museum, Raphael, RubensFor today’s art establishment (including once-conservative institutions such as the Metropolitan Museum of Art and the Morgan Library), contemporary art must be radically “new”—the more unprecedented or deskilled in form and transgressive or inscrutable in content the better.1 An intrepid group of dedicated contemporary artists begs to differ, however. They are the largely neglected painters […]
AICA, Anthony Baus, Carroll Dunham, Colleen Barry, David Salle, Grand Central Atelier, International Association of Art Critics, Jacob Collins, Jewish Museum, Justin Wood, Keith Haring, Metropolitan Museum, Morgan Library, Norman Kleeblatt, Phong Bui, Rachel Li, Robert Simon Fine Art, Suzaan Boettger, The Brooklyn Rail, Will St. John, Wolfgang LaibThe founding and activities of Saudi Arabia’s MiSK Art Institute ought to be good news for art lovers. As the first institute of its kind in the formerly arch-conservative Saudi kingdom, it aims to support emerging Saudi artists and increase their interaction and visibility both within and beyond the kingdom. Operating under the auspices of […]
Ahmad Angawi, Ahmed Mater, Al-Qatt, Amr Alngmah, Crown Prince Mohammed bin Salman, Dana Awartani, Edge of Arabia, Islamic art, Misk Art Institute, Rashed Al Shashei, Saudi art, Stephen Stapleton