For today’s art establishment (including once-conservative institutions such as the Metropolitan Museum of Art and the Morgan Library), contemporary art must be radically “new”—the more unprecedented or deskilled in form and transgressive or inscrutable in content the better.1 An intrepid group of dedicated contemporary artists begs to differ, however. They are the largely neglected painters […]
AICA, Anthony Baus, Carroll Dunham, Colleen Barry, David Salle, Grand Central Atelier, International Association of Art Critics, Jacob Collins, Jewish Museum, Justin Wood, Keith Haring, Metropolitan Museum, Morgan Library, Norman Kleeblatt, Phong Bui, Rachel Li, Robert Simon Fine Art, Suzaan Boettger, The Brooklyn Rail, Will St. John, Wolfgang LaibThe founding and activities of Saudi Arabia’s MiSK Art Institute ought to be good news for art lovers. As the first institute of its kind in the formerly arch-conservative Saudi kingdom, it aims to support emerging Saudi artists and increase their interaction and visibility both within and beyond the kingdom. Operating under the auspices of […]
Ahmad Angawi, Ahmed Mater, Al-Qatt, Amr Alngmah, Crown Prince Mohammed bin Salman, Dana Awartani, Edge of Arabia, Islamic art, Misk Art Institute, Rashed Al Shashei, Saudi art, Stephen StapletonHaving just received a promotional copy of Scholastic Art magazine’s December 2017 issue, entitled American Pop Art: Working with Ideas, I’m moved to comment. But there is so much wrong with it that I scarcely know where to begin. A logical starting point, I suppose, would be the cover, featuring an Andy Warhol Campbell’s [Tomato] […]
Andy Warhol, Dutch genre painting, Edward Ruscha, elevating the everyday, fine art, high art, Nicolaes Maes, portraits, Roy Lichtenstein, Scholastic Art, self-portraitsWhat’s wrong with today’s “protest art”—which occupies so much of our public space? Mainly this: it’s long on protest and virtually devoid of art. That sad fact has been vividly demonstrated of late by two New York exhibitions: Art and China after 1989: Theater of the World (closed January 7 at the Guggenheim) and An […]
Ai Weiwei, animal cruelty in "art", conceptual art, Dread Scott, Elizabeth Catlett, Guggenheim Museum, Henry Flynt, Liu Xiaodong, Marcel Duchamp, Martha Rosier, Melvin Edwards, Paul Cadmus, protest art, School of the Art Institute of Chicago, Wang Xingwei, Whitney MuseumMarcel Duchamp’s signed urinal dubbed Fountain isn’t a work of art, “conceptual” or otherwise.1 Neither is Maurizio Cattelan’s gold toilet dubbed America (offered on loan by the Guggenheim Museum to the White House last year, in lieu of a painting by Vincent van Gogh that had been requested). They are mere artworld stunts. Isn’t it […]
contemporary art, gold toilet, Guggenheim Museum, Marcel Duchamp, Maurizio Cattelan, Nancy SpectorGoogle “Ayn Rand’s theory of art,” and the second item you will find [as of this writing] is an article with that title in the online magazine Hyperallergic. Published in September 2012, the article—which prominently cites the book I co-authored on Rand’s theory—has been known to me for some time. But it is such a […]
AICA-USA, art and politics, Ayn Rand's theory of art, Hyperallergic, Jillian Steinhauer, What Art Is: The Esthetic Theory of Ayn RandSome time ago, I received a message through my website contact form that was headed “Looking for Possibility to Translate Your Book into Chinese.” Needless to say, I was delighted. After introducing himself as Chen Guang Wang, a Chinese émigré in his third year as a student of Visual Art at the Emily Carr University of […]
Chen Guang Wang, Chinese translation, contemporary art in China, understanding contemporary artThe opening next week of the major exhibition Michelangelo: Divine Draftsman & Designer at the Metropolitan Museum of Art1 prompts me to post the following brief item about a little-known side of this master. The awe-inspiring grandeur of Michelangelo’s work earned him the reverent epithet of “Il Divino” among his contemporaries. It is therefore remarkable to […]
This week, September 10–16, is National Arts in Education Week—an annual event established by Congress in 2010 to celebrate the value of the arts in education and gain broad support for it. On what grounds could any civilized member of society object? The answer is that the value of arts education largely depends on the […]
4'33", Jeff Koons, John Cage, National Art Education Association, National Arts in Education Week, Oliver Herring, Richard Kessler, STEM to STEAMJust in time for a new school year, the September 2017 issue of Scholastic Art magazine features ten paintings that students should know, because they form part of “our collective cultural history.” Surely a worthwhile undertaking for a publication aimed at middle school and high school visual art education programs—until one examines the works selected […]
10 Paintings to Know, Arnolfini Portrait, art education, avant-garde, Basquiat, cubism, Dora Maar in an Armchair, Grace Lin, Picasso, Scholastic Art
