[July 3 Addendum] As a member of AICA-USA (the U.S. section of the International Association of Art Critics), I recently received an email message from the Board of Directors announcing: “AICA-USA has issued a statement of solidarity with the Movement for Black Lives [M4BL].”1 That statement—which had not been submitted to members for input or […]
"systemic racism", AICA-USA, art criticism, avant-garde, conceptual art, contemporary art, critical pedagogy, critical standards, critical thinking, Daniel Patrick Moynihan, de-skilling of art, Defund the Police, diversity, George Floyd, Goya's "Saturn Devouring His Children", Gregory Sholette, John Canaday, M4BL, Marilou Lemmens, Peter Schjeldahl, Richard Ibghy, Seattle's CHOP district, Shaun King, Susan Rothenberg, Trump Derangement SyndromeThe Art of Looking (Basic Books, 2018) by art critic Lance Esplund—a frequent contributor to the Wall Street Journal, among other prestigious publications—is yet another of countless attempts to reconcile the public to the bizarre inventions of the avant-garde.1 A more fitting title would be “The Art of Critical Spinning.” Subtitled How to Read Modern […]
Balthus, contemporary art, Damien Hirst, elements of art, Giacometti, Gislebertus, Jackson Pollock, Lance Esplund, language of art, Malevich, Marcel Duchamp, modern art, Piero Manzoni, Piet Mondrian, readymadesContemporary pseudo art’s stranglehold on the culture is reinforced by countless prestigious institutions—among others, my alma mater Barnard College. Since 2011, Barnard has been offering alumnae and friends a “lifelong learning” course entitled “Conversations in Contemporary Art” [more], aiming to demystify such work through an insider view of the artworld. Taught by art historian Kathleen […]
Barnard College, contemporary artThe following letter was mailed to Daniel Brodsky, Chairman of the Met Museum’s board of trustees, on September 3rd. (I insert relevant links here.) In lieu of a response from him, I received a platitudinous letter from Jessica Hirschey, the museum’s Deputy Chief Membership Officer, dated September 17. That letter is appended below, along with […]
contemporary art, Max Hollein, Metropolitan Museum of ArtMarcel Duchamp’s signed urinal dubbed Fountain isn’t a work of art, “conceptual” or otherwise.1 Neither is Maurizio Cattelan’s gold toilet dubbed America (offered on loan by the Guggenheim Museum to the White House last year, in lieu of a painting by Vincent van Gogh that had been requested). They are mere artworld stunts. Isn’t it […]
contemporary art, gold toilet, Guggenheim Museum, Marcel Duchamp, Maurizio Cattelan, Nancy SpectorTwo exhibitions this spring have powerfully belied the artworld pretense that all contemporary art is in an anti-traditional “cutting-edge” vein. And unlike the contemporary work that fills today’s leading museums and galleries, they offer art lovers something to rejoice in. The smaller of the two shows is Self-Portrait (April 20 – June 20)—at the Eleventh Street […]
art education, Art Renewal Center, Classical Realism, contemporary art, self-portraitsWhat’s being taught in art classrooms these days? Lacking a comprehensive survey, I can’t offer a definitive answer to that question. But I can point to some prominent examples that should trouble anyone who regards visual art as a potent component of civilization and thus an important part of children’s general education. Abstract Art 101 […]
Alex Garant, art education, contemporary art, Mark Rothko, Michael BeitzIs the infamous urinal signed “R. Mutt” (featured as the centerpiece on the cover of Who Says That’s Art?) really the brainchild of Marcel Duchamp, as the artworld has long claimed? Or was it instead merely a copy by him of a piece originally created by a relatively obscure figure of the early twentieth-century avant-garde—a […]
conceptual art, contemporary art, Elsa von Freytag-Loringhoven, Fountain, Glyn Thompson, Julian Spalding, Marcel Duchamp, readymades, urinal